Story desk
Continuity that compounds
The writer reads the series' running story before every episode and writes back what changed: callbacks, canon, cliffhangers. Episode 40 remembers episode 1.
Master control for serialized video
Start with one show — Producer turns it into a network. It writes with continuity, generates and screens every shot, cuts the episode, and lands it on schedule, with the cost of every episode on the board.
Private beta · we run our own shows on it daily
Seg 01 · Position
Continuity, casting, review gates, programming, and unit economics — the operations layer above the generation models. Models churn monthly; the desk doesn't care.
Seg 02 · What the desk runs
Story desk
The writer reads the series' running story before every episode and writes back what changed: callbacks, canon, cliffhangers. Episode 40 remembers episode 1.
Casting
Every shot of a character is drawn from their portrait, so faces hold across scenes, episodes, and seasons. Faceless formats skip the cast entirely.
Gates
Per show: review everything, have only the rough takes come to you, or let it run on its own. The tally board shows exactly what's waiting on you.
The cut
Clips are cut to the narration, captions burned in, the music bed laid, the end card stamped. The format is the recipe, so every episode lands on-spec.
Programming
Shows run on a programming grid: episodes line up, produce, and land in their slot. Every post ships with the platform's AI-disclosure label — enforced, not optional.
The books
Model spend is metered on every render and rolled up shot → episode → show. You know what a show costs to run before strangers ever see it.
Seg 03 · Sign-off
Producer opens to outside operators once our own shows have proved the desk. Leave an email and you'll hear when seats open.